The Day After The Sabbath 60 Where Theres Muck
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TDATS 60 is a collection of tracks that feature brass instruments. Not often associated with hard rock, I set myself this challenge and found some really great music in the end. There was a bit of a "Brass Rock" movement within the progressive scene around the late 60s/early 70s with bands like Blood Sweat & Tears and Chicago being at the commercial forefront. Then there were the lesser-known acts like the UKs Heaven, CWT, and Walrus who embellished their hard rock and heavy jazz sounds with brass.
We start with a real rarity that I must credit an online friend of mine, Marc, for bringing to my attention as I surely would not have found it any other way. Jeff Sturges Universe was a hard rock big band recorded live at Caesars Palace in Las Vegas in 1971. Sturges was a member of the One OClock Lab Band at North Texas State and went on to become musical director for Tom Jones. Dean Parks, guitarist of the ensemble, was also a member of The One Oclock Lab Band before moving to Los Angeles to work with Sonny and Cher in 1970. Dean is best-known through his many contributions to albums by Steely Dan.
Next up is Minnesotas Crow, and yes, they were the originators of Evil Woman. It appeared on their 1969 album Crow Music, a song soon to be immortalised as Black Sabbaths first single in 1970. Strangely enough, it was also covered by Ike and Tina Turner as Evil Man. Kent, UKs "CWT" made an album of brass-flecked hard rock in 1970 called The Hundredweight, lead by the gravelly-voiced Graham Jones, and the next track is one of my favourites on this volume, that I found on a compilation which celebrates a famous 1971 Mexican rock festival, Festival Rock y Ruedas de Av�ndaro. Divisi�n Del Norte used horns-a-plenty, in their energetic mix of sounds. The name "Divisi�n del Norte" (Eng: Northern Division) came from an armed faction formed following the call to arms from Francisco Madero at the outbreak of the Mexican Revolution in 1910.
The Blood, Sweat & Tears track is taken from their 4th album "BS&T 4". It the heaviest track from this otherwise pop/jazz rock orientated New York ensemble, recorded at a time when they were losing their underground credibility having taken part in a United States Department of State-sponsored tour and recorded a soundtrack for a Barbra Streisand movie, The Owl and the Pussycat. Southampton, UKs Iguana were a very short-lived act who managed to get one album recorded on the Ploydor label before being adopted as Jess Rodens backing band for a few years, effectively ending their own original music writing. Lillestr�m, Norways Undertakers Circus recorded two albums of brassnroll, they are one of the only non-english singing bands here and Birmingham, UKs Galliard had two albums on the Deram/Nova label, which concentrated on the new progressive rock movement of the time, and is a planned theme for a forthcoming comp...
The Alan Bown (originally The Alan Bown Set, and later just Alan Bown) trod the well-worn path from 60s psych to early seventies proto-prog, and featured some nice arrangements with the emotive vox of Alan Bown himself. At one point they also included the afore-mentioned Jess Roden, on their 1968 album "The Alan Bown!". This track is taken from the next album Listen which developed a slightly harder edge. Having found Sandston, Virginias Short Cross for vol53, they are perfect contenders for this one too. An equal mix of blues, hard rock and extra instrumentation, with musicianship and a big production that belies the bands small label and humble origins...doomed to fade into obscurity.
Track 12 features versatile keys man Brian Auger, who had a commercial day job with his backing band The Trinity and collaborations with Julie Driscol (of This Wheels on Fire fame), and a prog night life with bands like Mogul Thrash (see vol20) and his solo Oblivion Express work. Black Cat is a great fun track.
Portsmouth, UKs Heaven debuted at the Isle of Wight festival and were managed by its organiser Rikki Farr. Their debut (and final) double-album "Brass Rock 1" was an ambitious affair which experimented a lot, with patchy results but it does have some of the hardest rocking brass rock I have found so far. Get a load of the dirty bass in "Number 2". The comp ends on a track from a band called Room that regulars here will know I like a lot, I have been awaiting a reason to use this one. Cemetery Junction [Parts I and II] is a gargantuan song of wide vision that distils Rooms hard rock, blues and jazz tendencies perfectly into 8 and half minutes of proto-prog bliss. Theres even a hint of Sabbaths jazzy swing in the riffs, awesome stuff!
Track List:
01. Jeff Sturges and Universe - Never In My Life (Mountain cover) (1971)
from album"jeff sturges and universe"
02. Crow - Evil Woman / Gonna Leave a Mark (1969)
from album "crow music"
03. CWT - Simons Effort (1973)
from album "the hundredweight"
04. Divisi�n Del Norte - It�s A New Day (1971)
from compilation "festival rock y ruedas de av�ndaro" (2002)
05. Walrus - Who Can I Trust (1970)
from album "walrus"
06. Blood, Sweat & Tears - Go Down Gamblin (1971)
from album "bs&t 4"
07. Iguana - Iguana (1972)
from album "iguana"
08. Undertakers Circus - Mor Norge (1973)
from album "ragnarock"
09. Galliard - Skillet (1969)
from album "strange pleasure"
10. The Alan Bown - Curfew (1970)
from album "listen"
11. Short Cross - Nothin But a Woman (1972)
from album "arising"
12. Brian Auger & The Trinity - Black Cat (1968)
single
13. Heaven - Number Two (1971)
from album "brass rock 1"
14. Room - Cemetery Junction [Parts I and II] (1970)
from album "pre-flight"
Thanks for listening! Rich
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