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The Gods Genesis 1968 uk splendid psych rock 2009 japan extra tracks remaster After leaving Stevenage based RnB outfit The Jimmy Brown Sound in early 1965 keyboardist / guitarist / vocalist Ken Hensley formed The Gods with Mick Taylor (guitar), John Glasscock (bass / vocals) and Brian Glasscock (drums). However this line up only lasted until June 1967 when Taylor quit to join John Mayalls Bluesbreakers and then The Rolling Stones. Hensley then moved to Hampshire where, whilst living in a van(!), he met up with bassist Paul Newton and put together a new version of The Gods which featured Hensley, Newton, drummer Lee Kerslake and guitarist John Konas. However despite building up a good following on the South Coast collage circuit Newton left (he later became a founding member of Uriah Heep) and was replaced by Greg Lake. With a residency at Londons Marquee and a contract with EMIs Columbia label it looked like The Gods would at last release something but, as Hensley recalls, "Just a...

Reuben Wilson Blue Mode 1969 2014 Japan SHM CD 24 192 Remaster Jazz / Jazz Funk / Soul Jazz FLAC (tracks+.cue,log,scans) | 41:47 | 573 MB Tracks List: <div class="center"> </div> Artist : Reuben Wilson Title : Blue Mode [Japan SHM-CD 24-192 Remaster] Year Of Release : 2014 (1969) Label : Universal Japan [TYCJ-81092] Genre : Jazz / Jazz Funk / Soul Jazz Quality : FLAC (tracks+.cue,log,scans) Total Time : 41:47 Total Size : 573 MB Download ( NitroFlare ): 25_06_2017_101737_TSw5fBg7.rar Download ( UploadsTo ): 25_06_2017_101737_TSw5fBg7.rar download  file  now

The Day After The Sabbath 36 Rising Sun Japan pt 1 Download here: [mf] or [mg] Volume 36 of TDATS features Japanese bands. A small but talented hard rock scene emerged from the countrys prevailing 60s psychedelic Group Sounds musical collective, much as it did around the world at the time. The bands all have a pleasingly oriental twist in their sound. Starting with Japans answer to Jimi Hendrix, is Shinki Chens Speed, Glue & Shinki. The band was started by guitarist Shinki Chen, and Ikuzo Orita, Japans president of Polydor Records. Next up, Gedo was a mainly live band that has a few live recordings, and played sounds alternating between hard rock and vigorous proto-punk. Too Muchs name came from the TOO MUCH concert that The Helpful Soul played with the newly-formed Blues Creation, in Kyoto at the end of February 1970. The hippy phrase �too much� was already utterly clich�d in the West by this time, but it was iconic and easily pronounceable to the Japanese! Yonin Bayashis debu...

The Gods To Samuel A Son 1969 uk great psych rock 2009 japan bonus track remaster Here�s a bit of a conundrum: whereas concept albums often shift melodies down in favor of big ideas, this one is all about songs � unlike THE GODS� debut that saw them try to enter the already trodden waters. Beating FIRE�s similarly shaped "The Magic Shoemaker" time-wise, the second time around the band gave reins to Ken Hensley who, less constrained by the progressive paradigm of the day, came up not only with memorable tunes but also with the trademark sound he�d perfect in URIAH HEEP. It�s unmistakably his composer style behind the vocal line of the title track, and the acoustic �He�s Growing�, while still rooted in psychedelia, could have easily find a place on any of the master�s solo records. But for all that, and a few lightweight numbers such as �Penny Dear� with its Caribbean undertow or the TRAFFIC-like �Autumn�, this is an ensemble work, as proven by a single cover of �Maria� from �W...