Skip to main content

Posts

Showing posts with the label 67

The Day After The Sabbath 67 The New Order NWOBHM inspired pt 1

The Day After The Sabbath 67 The New Order NWOBHM inspired pt 1 Download from: [mf] or [mg] Password:  tdats During my searches I occaisionally come across bands that have that metallic sound that is ahead of its time; early 70s bands that have elements of what was later termed the NWOBHM (New Wave Of British Heavy Metal). For some time I have been thinking about collecting them together, so here it is. [Edit: Since making this I have done another, volume 121, and an American equivalent, volume 126] If you have never heard of NWOBHM then I guess I have two words that in my opinion describe it best, Judas Priest. The Birmingham, UK band that started out in the early 70s as a fairly typical hard rock band and had a clear, unique progression from the stylings of Sabbath, Zeppelin et al to the sharper, faster late 70s metal sound, influencing Iron Maiden along the way and kick starting all the extreme metal scenes by being a huge favourite of early thrashers like Metallica and the more...

The Stormsville Shakers One And One Is The Complete Recordings 1965 67 uk wonderful mod beat with psych flashes 2015 issue

The Stormsville Shakers One And One Is The Complete Recordings 1965 67 uk wonderful mod beat with psych flashes 2015 issue Phillip Goodhand-Tait has had his songs recorded by artists ranging from Gene Pitney to Roger Daltrey and has also fronted a number of bands in his many decades in the music industry.  Cherry Red Group imprint RPM has collected 27 tracks by singer-musician-songwriter Goodhand-Tait, solo and with his bands The Stormsville Shakers and Circus as One and One is Two: Complete Recordings 1965-1967. Born in Hull, East Riding of Yorkshire, England, Goodhand-Tait began his music career while still in his teenage years.  In his new liner notes penned especially for this release, he recalls receiving the sum of five pounds for assembling a five-piece band to play a dance at the local drill hall in 1960.  After flirting with names The Royphillians, Phil Tone and the Midnighters, and The Vibrants, the group settled on The Stormsville Shakers in 1961. The band, fro...

THE HAUNTED The Haunted 1966 67 Canada Garage Rock

THE HAUNTED The Haunted 1966 67 Canada Garage Rock COMPREI A POUCO TEMPO ESSE ALBUM, ESCUTEI, GOSTEI E PENSEI: MERECE ESTAR ENTRE OS VENENOS!! BANDA CANADENSE MUITO BOA FORMADA NO IN�CIO DOS ANOS 60 E QUE FAZIA UM SOPM GARAGEIRO BEM LEGAL E COM PERSONALIDADE!! PERCEBE-SE UM POUCO DE FUZZ GUITAR, PSYCH E BLUES!! NO GERAL � UM BOM ALBUM DE GARAGE ROCK E CERTAMENTE A MELHOR BANDA DO ESTILO QUE SURGIU NO CANAD� E MOSTROU QUE EXISTIA GARAGE ROCK FORA DOS EUA!! PERCEBE-SE INFLU�NCIAS DE STONES E YARDBIRDS, MAS MUITAS CAN��ES S�O PR�PRIAS E TEM PERSONALIDADE!! A PRIMEIRA PARTE � MAIS GARAGEIRA E PSYCH E A SEGUNDA P�RTE J� SENTIMOS MAIS INFLU�NCIAS DO BLUES!! A BANDA APARECEU PELA PRIMEIRA VEZ NA COLE��O PEBBLES!! Mas pessoal, eles absolutamente s�o uma banda de garagem, mas � bacana como diversificaram nesse �lbum!! Pois vejam bem, est�o presentes elementos de punk rock (1-2-5), garagem psych (Horror Show), baladas suaves (Untie Me), blues rock (Montreal Blues), beat (Twist), pop (Out of Tim...

The Mystery Trend So Glad I Found You 1966 67 us marvelous folk psych garage rock extra tracks edition

The Mystery Trend So Glad I Found You 1966 67 us marvelous folk psych garage rock extra tracks edition If the Airplane and the Dead were the Beatles and Stones of San Franciscos mid-1960s rock heyday, then the Mystery Trend were its Zombies or Left Banke, peddling craftsmanship and high quality pop songs in an era of burgeoning indulgence. Ahead of anyone else except perhaps the Charlatans, the Trend was the first alternative rock group in the Bay Area, debuting in May 1965. Unlike the ex-folkies and beatniks that comprised the rest of the scene, the group, led by keyboardist and songwriter Ron Nagle, were older and came from an art school background, eschewing the jams and free-form modality of other local groups for concise ensemble arrangements. "The kind of writing that was going on in San Francisco then, to me, it was dogshit" says Nagle."Everyone was into this wankingsoloingpsychedelic-droneout. It was very uncool to play three minute pop songs." Nagle and gui...